The Queer Azadi march in Mumbai went on with a bang. Unfortunately words don’t seem to come easy, and so I leave you all with my favourite moments from the Pride march.

Why didn’t Mumbai have the Pride march when the other three metro cities were having it?

Well, on June 29 Delhi, Calcutta and Bangalore had their Rainbow marches, and as a commentor on my previous post pointed out (Thanks for the info, Sachin), Mumbai is having one too. For those of you who’ve just come in, the Pride is a march taken out by the LGBT (Lesbian, Gay, Bisexual and Transsexual) or, in short, the Queer community to protest their marginalisation in our hetero-centric society.

However, Mumbai did not have the Pride march the same day as it was happening in other cities (a first for Delhi) in India, not to mention across the globe. And I thought to myself:

1.Why?

2.Didn’t this show a disturbing lack of solidarity by the Mumbai queer community for their counterparts in the rest of country?

3.Was it just the lack of organisation?

And

4.Now that we’re having one, I’m curious, why adopt a different name ‘QueerAzadi’?

I posed these questions to two prominent LGBT activists, Ashok Row Kavi (UNAIDS, Humsafar) and Geeta Kumana (INFOSEM), who are also part of the organising commitee of the upcoming march.

Click here to continue reading ‘Queer Azadi, Mumbai Ishtyle‘

No? Neither did I until yesterday.

There I was sitting at Juhu’s Prithvi Theatre watching a compilation of short documentary films, organized by an NGO called Vikalp (formed in 2003, a group of documentary film makers fighting against censorship) and all I could think of was Ram Gopal Varma Ki Aag.

Though the film turned out to be the biggest box-office failure of 2007, to me the film’s depiction of modern day daaku raj (Babban Singh) vs. Ex-Police Chief and his hired goons Heroo & Raj – seem perfectly in sync with the Naxalite situation in the State of Chhattisgarh. No laughing matter this, the reality is as dark and horrifying. However unlike the movie, the Naxalite condition doesn’t have as clear a hero-villain divide as the movie.

In order to free the state’s people from the tortures of the rebellious Naxalities (dakku raj), the government put in action the Special Public Security Act (SPS, 2005), and have also created an army of villagers called the Salwa Judum giving them bows arrows and guns, under the pretext of self-protection against the bad guys. The Chhattisgarh government wants us to look up to them in the same way as the villagers regarded the Ex-Police Chief in the film. Their life-savior, their messiah.

According to the Planning Commission 2008 report, that is not only unconstitutional, but also a form of state sponsored terror. So, no happy ending in sight here, only a spiral result of violence and more of it.

And this is where filmmaker Ajay TG’s story comes in.

Click here to continue reading ‘Do You Know Ajay TG?’